GUNPLAY: Cocaina


(Acquitted; 2013)

I usually make a conscience effort to not write about music critics. As a rule of thumb, "meta" is best reserved for jazz quartets that earn their keep by performing sample-based J Dilla instrumentals. But I can't help but notice the same circles that were championing J Cole and frowning upon at Gunplay just three years ago have quietly about-faced, despite the fact that neither artist has deviated far from their 2010 incarnations. Most would cite Gunplay's performance on "Cartoon and Cereal" as his watershed performance, as if "All On You" and "Straight Up Menace" weren't just as poignant, sans Kendrick's annoying ewok-inflection. That said, "Cocaina" is something I can honestly I've never heard from the human L.A. riot. He's inexplicably stumbled onto a narcotic-laden summer anthem with Top 40 potential. Unfortunately, Def Jam is so committed to pushing "Bible On The Dash" (it's been repackaged on upwards of five different mixtapes) that it probably won't push an iota closer toward a concrete release date. As The Martorialist already pointed out, "Drop Da Tint" is clearly the best song featured on Acquitted, but "Cocaina" will probably be remembered as the biggest missed opportunity.

INTERVIEW: Cormega

Where are you from originally?
Well, I was born in Brooklyn. And then I moved all over. I’m definitely a poster child for the 718. You can put it like that.
What were the circumstances that brought you to Queensbridge?
I went to Queensbridge because I have family out there. I guess the economy was better out there than it was in Brooklyn, ‘cause I was hustling. So it was my cousin’s idea for me to move to Queensbridge. Then I started hustling. I mean, I didn’t “start” hustling, but I started hustling in Queensbridge.
Who introduced you to Marley Marl?
I was personally introduced to Marley Marl by a brother named Hank Carter.
Did you guys record a lot of material back then?
Yep, if I didn’t go to jail my first album would have been executive produced by Marley Marl. I was working on my album when I went to jail in 1992.
Is that unreleased album still floating around out there?
It never floated around. Marley’s stuff doesn’t float. He keeps stuff very well vaulted up.

OUTSOURCING: Passion of the Weiss

I interviewed one of my favorite rappers ever, AZ, for good folks over as Passion of the Weiss. Check it out here.

PRODIGY: Pinky Ring


(Extended Play; 2013)

Statik Selektah's attempts to clone Pete Rock's Soul Survivor will continue to implode until he realizes that compilations are only as strong as their weakest links. Around every turn of his latest album, Extended Play, there's a horrendous rapper waiting in the wing to sabotage an otherwise promising collaboration. Fortunately, Statik had the good sense to spare Prodigy's fantastic contribution, "Pinky Ring," from being sullied by the likes of Joey Bada$$, Mac Miller and Termanology. Prodigy recycled a few lines from his feature on Action Bronson's Saab Stories EP, but that's a small price to pay to hear a first ballot hall of famer hurl convincing threats over Super Mario's Dusty Dune Galaxy soundtrack.

OUTSOURCING: Passion of the Weiss

I reviewed Mobb Deep's 20th Anniversary show for the good folks over at Passion of the Weiss. It's pretty good. Check it out here.

MR EXQUIRE: Never Running Again


(Kismet; 2013)

Like nearly every other tape he's ever released, Mr eXquire's latest offering, Kismet, contains a couple genuine flashes of brilliance buried underneath a dozen or so forgettable records. "Never Running Again" stands as further proof that he's at his absolute best when tackling concepts, despite "Huzzah," a frivolous exercise in braggadocio, being his breakout single. He rattles off a laundry list of fears he's ran away from over the years. Unfortunately, we never get to hear exactly how eXquire mustered the courage to confront and conquer those phobias. Constrobuz's astral production fades to black less than a minute into the song. It's frustratingly brief, yet still one of the few standouts featured on Kismet.

OUTSOURCING: Passion of the Weiss

I reviewed the lost collaborative album from Rick Ross and Birdman, H, for Passion of the Weiss. Check it out here.

NATURE: East Coast Party


(Seasons Changed: Spring Edition; 2013)

If you're willing to overlook Foxy Brown's truancy, The Firm is officially off hiatus or, at least they're no longer content with dormancy. Between AZ launching a stellar to street single to promote Doe or Die II, Cormega trampling over Roc Marciano's flip of Erma's Coffee's "Any Way The Wind Blows," and Nas' sheer virtue of existence, the world's most dysfunctional supergroup is finally clicking on all cylinders. Albeit on their own accord. But Nature's resurgence is easily the most surprising development of 2013. His latest project, Seasons Changed: Spring Edition, features Nathaniel's strongest record since his crafty Halloween anthem. The fact we only have to reach back seven months to recall a great Nature record speaks volumes in itself. "East Coast Party" is a soulful ode to the Atlantic Seaboard. And what better way to bring in this year's solstice than a quality summer jam?